The rooftop performance featured a performance by Berenika Shneider, who has been working with Carolin Müller for two months to explore the printable stage and its capabilities using site-specific dance. The collaboration was accompanied by a musical interjection by Grigory Lomize.

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This performance took place after the structure had been engaged over an extended period, giving it a unique, durational aspect. By this point, the materials—specifically the aluminum plates transformed from discarded cans—will have undergone multiple interactions, leaving behind marks and traces of different performers’ bodies.

 

The performance also highlighted the inevitable deterioration of the structure, as the material that has already been worked with over weeks begins to show signs of wear and decay. This added a layer of tension and fragility to the performance, where the audience witnessed not only the act of creation but also the breakdown of the material itself, underscoring the cyclical nature of transformation and decay.

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hosted at Art Cube/Artists Studio

Curation: LeeHe Shulov

In Collaboration with Goethe Institute Israel

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photo credit: Dafna Englander

video credit: Sahaya Villaluz, Philipp Riedel